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Egon Schiele - Lithograph - Edith Schiele and nephew 1915

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Egon Schiele Lithographs
Egon SCHIELE - Lithographie - FRANCE ART DIFFUSION

N E W

Egon SCHIELE

Outstanding LITHOGRAPHS

40 numbered exemplars

 

 

Egon Schiele

1890 - 1918

 

 

 

AN OUTSTANDING LITHOGRAPH

France Art Diffusions In partnership with the ALBERTINA MUSEUM (Vienna - Austria)
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"THE MOTHER & THE CHILD" (Edith Schiele & her nephew (Paul Erdmann)) - 1915

 

 

Lithograph edited at only 40 exemplars

From an original drawing from Egon Schiele of 1915 & for the first time in the world in lithograph.

From one of the last great French lithographer & engraver
 
 

 

 

. A fourty copy special editing on Great Paper (Velin d'Arches 270g)        . Numbered and hand-signed by the Lithographer

. Drawn in the stone and hand-printing color by color on lithographic flat press

. Great Format : 29,9x21,3 inches / 76x54 cm - Plate in 4 colors

 

Each lithographic stone is systematically destroyed after being used.
Therefore the printing of drawings is only issued once and in compliance
with the number of expected editions.

 
  
 
 

 

Egon Schiele Lithographs
Egon Schiele Lithographs Egon Schiele Lithographs
 

Egon Schiele Lithographs

 

 

 

Title : ""THE MOTHER & THE CHILD" (Edith Schiele and her nephew) - 1909
(Edith Schiele mit ihrem Neffen)

Technique : Lithograph from an original drawing in Charcoal on paper.

Date of the lithograph : 2014

Origin : Albertina Museum (Vienna - Austria)

Editor : France Art Diffusion

Lithography workshop : Atelier A Fleur de Pierre (Paris)

Lithographers : Etienne de Champfleury & Jean-Pierre Stholl

Lithograph in 4 colors n° 20/40

Size : 29,9x21,3 inches / 76x54 cm

Paper : Velin d'arches 270g

Signature : Hand-signed & numbered in pencil by the 2 lithographers & the Editor

Personal stamp (embossing) of the editor : France Art Diffusion Gallery

CERTIFICATE OF AUTHENTICITY

Price & information on request : info@franceartdiffusion.com

 

 

 

The lithograph : a good turn for an exceptional drawings

The lithographs made while Egon Schiele were alive are practically nonexistent; some very rare copies can be found in different museums and in the most prestigious private collections. (As a matter of fact, Egon Schiele barely made 4 lithographs alltogether).

Nowadays the art-work from Schiele has been reproduced to excess : in all the shapes, all the colours, and by using all the modern printing processes.

It is just a kind of “copy/paste” without feeling, and showing no consideration for the artist and his work.

Egon Schiele deserves better, much better.

Turning to the lithograph is a way to reconcile the original art work and its reproduction so that Schiele would have liked it ; it is a way to go to the heart of his inspiration with the same moves, and with the very same period machines.

It is to see to it that this lithograph belongs to him, so that it may be a link between him and us.

            

Kind Reminder about the Lithography

Please note that a litho is not a poster or just another art reproduction. When designing a litho, strict technical and artistic standard requirements should be fulfilled.

However, a lot of basic and common reproductions are suddenly becoming lithographs without having the relevant quality. Adapted to fit any case, the word « lithograph » is nowadays used in an attempt to justify, to give credit and therefore to deceive a not well-informed buyer.

Invented at the end of the 18th Century, this technique is indeed a good means of reproduction but above all, it is a creation work.

To take a colourful example, this technique means quite a lot to the reproduction of drawings or paintings as much as the Roll-Royce company means to the car industry or Louis VUITTON to the fine leatherwork.

This is not a matter a chance if all the world’s greatest painters have adopted this technique.

The lithograph is fully hand-made such as a drawing or a painting (lines, shades and colours are drawn in the stone before being hand-printed on the lithographic hand-press).

By this way, the artistic process is preserved whereas it is upset when using the modern printing means that are eventually a simple “copy/paste” without feeling.

You must have understood by now …the lithograph is infinitely more than just a reproduction. Its exceptional design is a masterpiece in its own right.

© François de l'An pour France Art Diffusion

 

 

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