A Story of a Lithograph...

EGON SCHIELE | Portrait of Edith Schiele, 1915 | Lithograph


EGON SCHIELE (1890-1918)

The Girl in Hat & Veil, 1915 (Portrait of Edith Schiele)

Handsigned & numbered edition at 60 exemplars only
From the original drawing of Egon Schiele dated 1915 & for the first time in the world in lithograph.

From the drawing to its printing, this lithograph has been entirely realized by hand.
With the same technical and artistic constraints, the same moves are made on the very same period machines.
Drawing on the stone, printing colour by colour on lithographic hand-press of 19th century.

THE GIRL IN HAT AND VEIL - 1915- 1915 (Portrait de Edith Schiele) 

EGON SCHIELE | Edith Schiele, 1915  | Lithograph


Technique : Lithograph from an original drawing in Pencil


Date of the lithograph : 2020

Lithography workshop : Atelier Stamp

Size : 65,0 x 50,0 cm / 25.6 x 19.7 in

Paper : Velin d'arches

Justification : Handsigned & numbered in pencil by the lithographer
Handsigned by the publisher
Dry stamp of the publisher & the lithography workshop


  Price & information on request : info@franceartdiffusion.com


Once the printing of the lithograph is finished, each drawing is systematically destroyed after use.
The lithographer puts down some 
hydrochloric acid directly on the stone.
Then this stone is grained in order to erase totally the drawing.

Its printing is only issued once and in compliance with the number of expected editions.

Dsc 5945 2 copier

Dsc 5955 2 copier

The lithograph : a good turn for an exceptional drawings

The lithographs made while Egon Schiele were alive are practically nonexistent; some very rare copies can be found in different museums and in the most prestigious private collections.

Nowadays the art-work from Schiele has been reproduced to excess: in all the shapes, all the colours, and by using all the modern printing processes.

It is just a kind of “copy/paste” without feeling, and showing no consideration for the artist and his work.

Egon Schiele deserves better, much better.

Turning to the lithograph is a way to reconcile the original art work and its reproduction so that Schiele would have liked it ; it is a way to go to the heart of his inspiration with the same requirement, the same moves and with the very same period machines.

It is to see to it that this lithograph belongs to him, so that it may be a link between him and us.

Please bear in mind that the price of original art-works from Egon Schiele have amounted up to several hundreds of thousands Euros. Nowadays it is quite common to see on some web-sites some drawings, supposed to be original ones at prices ranging from 10 or 100 Euros…

Kind Reminder about the Lithography

Please note that a litho is not a poster or just another art reproduction. When designing a litho, strict technical and artistic standard requirements should be fulfilled.

However, a lot of basic and common reproductions are suddenly becoming lithographs without having the relevant quality. Adapted to fit any case, the word « lithograph » is nowadays used in an attempt to justify, to give credit and therefore to deceive a not well-informed buyer.

Invented at the end of the 18th Century, this technique is indeed a good means of reproduction but above all, it is a creation work.

To take a colourful example, this technique means quite a lot to the reproduction of drawings or paintings as much as the Roll-Royce company means to the car industry or Louis VUITTON to the fine leatherwork.

This is not a matter a chance if all the world’s greatest painters have adopted this technique.

The lithograph is fully hand-made such as a drawing or a painting (lines, shades and colours are drawn in the stone before being hand-printed on the lithographic hand-press).

By this way, the artistic process is preserved whereas it is upset when using the modern printing means that are eventually a simple “copy/paste” without feeling.

You must have understood by now …the lithograph is infinitely more than just a reproduction. Its exceptional design is a masterpiece in its own right.

© François de l'An / France Art Diffusion