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John William Waterhouse

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Outstanding LITHOGRAPHS

40 numbered exemplars

 

 

John William WATERHOUSE

1849 - 1917

 

English Painter - Victorian Age
One of the great master of the neoclassical, pre-raphaelite and symbolist english movement.

 

 AN OUTSTANDING LITHOGRAPH


  "THE GIRL OF THE WIND" (Study for Boreas) - 1904

 

This drawing, representing John William Waterhouse’s most famous one,
has been presented partially cut for quite a long time.

Some old photos found recently, have proved that it was not always the case.

For the first time ever, the lithograph shows this drawing entirely
as it was drawn by Waterhouse in 1904.

 

Lithograph edited at only 50 exemplars

From an original drawing from John William Waterhouse of 1904 & for the first time in the world in lithograph.

From one of the last great French lithographer & engraver

 

. A fifty copy special editing on Great Paper (BFK Rives 270g)        . Numbered and hand-signed by the Lithographer

. Drawn in the stone and hand-printing color by color on lithographic flat press

. Great Format : 32,3x24,4 inches / 82x62 cm - Plate in 4 colors

 

Each lithographic stone is systematically destroyed after being used.
Therefore the printing of drawings is only issued once and in compliance
with the number of expected editions.

 
 

John William Waterhouse LITHOGRAPH

John William Waterhouse LITHOGRAPH
John William Waterhouse LITHOGRAPH

Title : "THE GIRL OF THE WIND" (Study for Boreas) - 1904

Technique : Lithograph from an original drawing in red chalk on paper.

Date of the lithograph : 2015

Editor : France Art Diffusion

Lithography workshop : Atelier A Fleur de Pierre (Paris)

Lithographers : Etienne de Champfleury & Jean-Pierre Stholl

Lithograph in 4 colors n° 26/40

Size : 31,9x24,4 inches / 81x62 cm

Paper : BFK Rives 270g

Signature : Hand-signed & numbered in pencil by the 2 lithographers & the Editor

Personal stamp (embossing) of the editor : France Art Diffusion Gallery

CERTIFICATE OF AUTHENTICITY

Price & information on request : info@franceartdiffusion.com

 

The lithograph : a good turn for an exceptional drawings

Even if John William Waterhouse was one the greater painters of the Victorian period, surprisingly enough not one of his artworks has ever been produced into a lithography before this one.

Nowadays the art-work from Waterhouse has been reproduced to excess : in all the shapes, all the colours, and by using all the modern printing processes.

It is just a kind of “copy/paste” without feeling, and showing no consideration for the artist and his work.

J.W Waterhouse deserves better, much better.

Turning to the lithograph is a way to reconcile the original art work and its reproduction so that Waterhouse would have liked it ; it is a way to go to the heart of his inspiration with the same moves, and with the very same period machines.

It is to see to it that this lithograph belongs to him, so that it may be a link between him and us.

 

Kind Reminder about the Lithography

Please note that a litho is not a poster or just another art reproduction. When designing a litho, strict technical and artistic standard requirements should be fulfilled.

However, a lot of basic and common reproductions are suddenly becoming lithographs without having the relevant quality. Adapted to fit any case, the word « lithograph » is nowadays used in an attempt to justify, to give credit and therefore to deceive a not well-informed buyer.

Invented at the end of the 18th Century, this technique is indeed a good means of reproduction but above all, it is a creation work.

To take a colourful example, this technique means quite a lot to the reproduction of drawings or paintings as much as the Roll-Royce company means to the car industry or Louis VUITTON to the fine leatherwork.

This is not a matter a chance if all the world’s greatest painters have adopted this technique.

The lithograph is fully hand-made such as a drawing or a painting (lines, shades and colours are drawn in the stone before being hand-printed on the lithographic hand-press).

By this way, the artistic process is preserved whereas it is upset when using the modern printing means that are eventually a simple “copy/paste” without feeling.

You must have understood by now …the lithograph is infinitely more than just a reproduction. Its exceptional design is a masterpiece in its own right.

© François de l'An pour France Art Diffusion

 

THE LITHOGRAPHY AS IT USED TO BE


Design and editing of the lithograph of John William Waterhouse in pictures

The Drawing on the Stone

John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition

 

 

John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition
John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition

 

 

Print of the drawing on a flat machine (antique lithographic press) Marioni Voirin of 1910

John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition
John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition

 

 

 

John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition
John William Waterhouse, Stufy for Boreas Lithograph, FRANCE ART DIFFUSION Edition

 

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